The anticipation of each new episode is contributing to the experience and bolstering the slow-drip approach.
I know some people are waiting for the whole shebang to finish running before they dive in and I wonder how approaching it in this way will affect their feelings about the production overall. With anyone besides Lynch at the helm of this thing, I imagine it would’ve been released all at once to be binge-watched (after all, it is meant to be one big film). It’s not for nothing that we’re being forced to stick to Showtime’s release schedule.
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Join Amazon Prime – Watch Thousands of Movies & TV Shows Anytime – Start Free Trial Now He and Mark Frost have been so slow and teasing with their reveals, inching mysteries along at a sickly snail’s pace, that I may have loved this episode simply because I was learning stuff (however minor) and because I had to wait a whole extra week before I was able to do so. However, I can’t help feel a bit like a trained monkey dancing to Lynch’s nefarious tune. I enjoyed this most recent part a great deal. David Lynch knows what he’s doing and if you don’t enjoy any of it, the fault must lie with you. On the opposing side, there are the Lynchophiles who view all of this as good and integral. At times, it looks bizarrely ramshackle and low-budget. It regularly repeats information we already know, or reinforces character traits that are already crystal.
It’s got loads of scenes that drag indulgently. Some people think Lynch has lost it, and there are certainly aspects that might support that. It continues to defy conventions so extremely that it’s near-impossible to assess its quality the way you would anything else. Twin Peaks’ return has inspired a great deal of debate, much of which comes down to whether it’s actually any good at all.
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Last time on Twin Peaks, we got Lynch-waterboarded, so Part 9 is comparatively about as kind on the senses as this new series has yet been. I’ve come to expect (though perhaps it’s foolish to expect anything) that episodes will alternate between abject Lynchian horror and slow-drip piecemeal mystery-revealing. Accidental or not, individual episodes do come off feeling like coherent wholes, at least tonally. On the other hand, I think Lynch is downplaying his approach to editing these. We’re halfway(!) through this limited series and still being introduced to new plotlines and characters with little to no hint of who they are or how they figure (if they even do) into what we already know. I’ve read that David Lynch sees this return series as a giant film and that he’s casually dismissed cutting it into episodes as a kind of haphazard affair, simply chopping it into 18 hourly chunks. This Twin Peaks review contains spoilers.
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